Having broken up and then un-broken up, US indie
electrorockers LCD Soundsystem are back to piss on your generation by reminding
you of your hapless existence whilst simultaneously encouraging you to dance to
your downfall.
By ‘your generation’, I mean both the young and the old. All
you millennial clubbers who live life aimlessly from weekend to weekend – ‘Tonite’
is your anthem. Meanwhile, all you middle-aged singletons still getting by on
one night stands – ‘American Dream’ is your anthem.
The bleak social commentary is delivered by James Murphy in
second person as if he is the ugly voice of truth in your head. Some of it hits
home hard: ‘you hate the idea that you’re
wasting your youth, but you stood in the background until you got older’. Yeah,
I know I’m the best blogger in the world and an astronaut and a brain surgeon,
but do you really have to remind me that I could have become a Hollywood actor
too if I really had tried when I was young.
Father John Misty’s Pure Comedy was supposed to be a
similarly cynical summary of the times we live in, but as witty as it was it
didn’t come across nearly as poignantly due to its third person narcissist position
as if he weren’t a part of the world he were describing.
Not only that, but Father John Misty chose dreary pianos and
dull folksy guitars to grumble over. Not like LCD Soundsystem, whose soundtrack
to the fall of man is set to relentlessly groovy New Wave. From the funky bass
and cowbell of ‘Other Voices’ to the pulsing synth and vocoders of ‘tonite’, American Dream revolves around hypnotic New-Order-like instrumentals that seem to suggest the only way to get through the murk
is to keep on dancing. Occasionally, the dark lyrics are matched with a
gloomier palette of sounds such as the menacing tribal drums of ‘How Do You
Sleep?’ or the throbbing funereal chords of Bowie tribute ‘Black Screen’, but
these dirges are still set to uptempo rhythms nonetheless. Depression’s never
been so danceable.
LCD Soundsystem have long been able to turn minimalism into
something epic and here they seem to have fine-tuned it to perfection. Fuelled
by doom, this is usually the kind of music I hate. But Murphy and co make it so
relatable and so infectious that you can’t help but get hooked.
★★★★★
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