THE BEST:
'It Makes The Babies Want To Cry' - George Clanton
Is this vaporwave? Chillwave? New wave? I don’t know the difference any more (I never knew). In any case, this new single from Brooklyn artist George Clanton is a hellload of fun. Shimmering synth stabs and distant vocals make for a sparkly eighties-inspired pop track complete with worn, bleary-eyed production. Let it wash over you like a wave, whatever –wave that may be.
'Cast the
First Stone' - Slayer
Tuned down to drop-z, Slayer’s latest single is a ten-ton sludgy monster of a track that will rumble around your bowels. I’ve kind of got used to the metal veterans churning out identical breakneck thrashers year after year, so it’s nice to see the band trying something a little different (relatively speaking).
'Downtown' - Macklemore & Ryan Lewis ft. Eric Nelly
Lyrically it’s not as witty as ‘Thrift Shop’ – mopeds aren’t
as funny as hipsters. However, the funky bassline and groovy agogo bells more
than make up for this. Ryan Lewis has composed a killer beat here. I’m still
warming to the flamboyant chorus, sung by guest singer Eric Nelly – its all a bit
cheesy and theatrical. Still, US rapper Macklemore has definitely put together a fun pop
song here, the constantly shifting instrumental keeping the listener guessing
as to what will come next.
'Floored' - Priscilla Sharp
New York underground artist Priscilla Sharp provides breathy vocals over a glitchy electronic instrumental. The moments of silence are deafening and make for some serious suspense.
'FF Bada' - Battles
Also hailing from the Big Apple, experimental rock three-piece Battles tease the build-up to their new album La Di Da Di with a new characteristically-intricate instrumental, ‘FF Bada’, accompanied by some more foody artwork to drool over. Their last single ‘The Yabba’ struck me as a bit too noodly, but this new track seems to be just the right balance of complexity and cohesiveness.
THE WORST:
'Ain’t
Nobody (Loves Me Better)' - Felix Jaehn ft. Jasmine Thompson
The Chaka Khan original was feelgood. This cover is depressing
and Jasmine Thompson, whoever she is, sounds like she’s trying far too hard to
be an Ellie Goulding clone.